This week’s spotlight features IAMTHELIVING, an emerging British R&B musician who has moved to the Canadian side of the Atlantic to develop his career that is already picking up speed. He’s already had a few notable releases on top of being nominated for this year’s Juno Award for R&B album of the year. I had the chance to talk with him through Zoom for this Funktasy Spotlight. IAMTHELIVING talks about his music, his nomination, and his career. 

What is a daily routine for IAMTHELIVING?

Usually, I wake up pretty early in the day and my usual routine is to get up and meditate and pray. I give thanks. That’s really important to me and it really sets my day off how I need it to be. Especially with so much going on, you know, it kind of puts me into a great mental space. So that’s how I start my day. I usually, then, go out to do a lot of calisthenics. So I train outside on the bars and make sure I get a good workout in to get my body moving. I eat predominantly raw vegan foods. I’m very much into health, holistic health and natural healing, eating plant foods and herbs from the earth and stuff. I’ve been doing a lot of writing. I also have a collaboration project with Teon Gibbs. So for that project, we have an EP, a 6-track EP called “JNGL” coming out June 6th, and alongside that EP we decided to do like 5 visuals for it too.

Your recent Juno nomination, what is the meaning of this nomination for you?

Wow… well, it means it so much to me. I can’t really put it into words. It still really kinda hasn’t sunk in ’cause I just know how like big it is in Canadian music. I’m very grateful and thankful that I’ve been able to come over here and do what I love. So, for it to be acknowledged and recognized by the Junos… you know what I’m saying? I’ve been on such a long journey and every artist and every musician out there has their own journey and for me it’s been years of crafting and putting in the time and the work and the dedication you know what I mean. It’s the equivalent of the Brit awards, which is what we have back home in the UK, you know? It’s like your equivalent to the Grammys so for me it’s like wow… So yeah, being a Brit and coming over here and receiving that is like… I just got so much love for Canada.

Tell us a bit about your nominated work “In This Thing Called Life”?

So that album was a project that I worked on with another Canadian legend and he is also a JUNO nominee and winner himself. His name is Chin Injeti. We first came together in 2016 and we just built up a relationship working on different projects and developed a pretty good friendship as well during that time. Injeti was writing some projects in late 2018 into early 2019 and we had the bright idea of collaborating on one of Injeti’s projects. As we started integrating ideas for the album, we came across one of Inteji’s already written pieces that eventually became the album single “It’s In All Of Us”. That song actually was written about his family so its something that he went through himself and I just absolutely love this song. I wanted to be the vessel, you know? I wanted to be the one to tell that story. After jointly deciding to release it as a single, we both realized that we needed to take this project into an album with a direction built around that song. Then we just got into the studio and we started creating and it literally just like flowed out of us with such a beautiful and wonderful process. We have a really good creative relationship and a really good and positive and fun creative process, so we found it really easy. And then everything just came like ‘them days’ and ‘hanging on’ and ‘could you be’ with Ashleigh Ball.


Can you describe to us the themes and purpose of your body of music as a whole?

I think for me, as an artist, I really tried to have some substance in my music, you know? I really feel like that it’s so important to share something with people that they can at least connect with and can bring positivity. Just like songs that can really touch people and connect with people in a way that you know it makes them think. For me you know I just I wanna be that type of artist that can really uplift people and make people want to dance, you know? Make people want to sing along to the melody and make people smile…

I noticed that a lot of your music is without features or collaborations, do you have a reason for that?

Yeah… I’m definitely open to features but at the same time I’m still early in my career so I think it’s nice to shine the light on you as an artist first. I feel like that’s what they used to do back in the 1970s, 1980s and 1990s. It was literally focused on the artist and what they can do. Later on, as they were on the second or third project, they would bring in other featured artists. For me I think it’s important to establish yourself to the audience first. I’m not relying on someone else to carry me or to carry the project.

What started your love for recording music?

My first experience in a recording studio was when I was about 13 or 14. So I’ve had that experience and training for years now and I just fell in love with just being behind the microphone, you know? I fell in love with stacking up my vocals, I fell in love with finding harmonies and playing around with harmonies. I’ve always loved music and dancing. I started dancing at 3. My mom saw it in me from when I was a toddler. She enrolled me into this community street dance class for children’s back in the days. So, within the area that I grew up in, a place called Peckham, which is in southeast London, she found another community music project. It was for the children in the community to just learn how to sing, write songs, play instruments and being in a recording studio. As soon as I walked in, I was like ‘yeah this is it’. I was so quiet and shy as well back then. I really, like, soaked up everything and observed all the energy and the talent around me.


When the live music industry will open back up again, is there anything specific you are looking forward to?

I really can’t wait for that. Out of the whole profession, performing is my favorite part. I like to write and being in the studio but just being on stage and taking those songs from the writing and recording stage being on stage is just so fulfilling to me. I truly feel like I can like be myself and express myself the best way that I can be on stage. I would love to continue performing songs from this project ‘In This Thing Called Life’ because there’s still a lot of people who haven’t heard it or haven’t seen me perform. I would love to share that with people. Even the project I’m working on, as I write it, I always think about performing and bringing that onstage and the experience that I would love the audience to have with those songs. And even the collaboration project that I’m doing with Teon right now, we’d love to bring it onstage.

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