A portable recording studio is easy to assemble. There are all sorts of YouTube tutorials on portable recording studios, how to build such a studio for cheap, and giving insight into what sort of equipment you need.
A microphone to capture your vocal. An audio interface that connects to a laptop. Your musical instrument(s) of choice. Everything else you need, from equalizers and compressors to a workstation is locatable in a laptop.
What this level of digital tech permits is the chance to record music in almost any environment.
Where Do You Want To Bring Your Portable Recording Studio & Make Music?
Think of all the places you can go with your very own mobile recording studio. You can take your laptop to the beach, and write and record a track. Record a track at the park. Bring a bag of equipment over to a friend’s place and collaborate with another songwriter or musician. If you are in the car traveling cross-country and have an idea you want to turn into a song, you can pull out your iPhone, and record the idea then and there.
Technology has made it easy to record and produce music from anywhere. Though many people recommend recording in a treated room – that is one that has been maximized for the recording environment – there is nothing quite like capturing a performance on location somewhere.
A cheap DIY portable recording studio is all you need, if you’re someone on a budget and you’re smart about how you record.
Mobile Recording Studios Have Been Around Since The 1950s
In the late 1950s, the first mobile recording studio was developed by engineer Wally Heider. There is evidence that mobile recording was practiced by some as early as the 1920s. Back then, lesser sound quality was a major trouble.
By the early 1970s, equipment progressed to the point where portable recording was possible. The first major initiative of this kind was a mobile recording studio built inside a DAF F1600 Turbo truck by the Rolling Stones.
Widely known as the Rolling Stones Mobile Studio, it popularized mobile recording for bands at the time it was built in 1968.
The studio was rented by bands seeking to record in mobile settings, producing recordings as diverse as the Stones’ own “Sticky Fingers”, Led Zeppelin’s “Led Zeppelin IV”, The Who’s “Who’s Next”, Deep Purple’s “Machine Head”, and the Dire Straits’ live album “Alchemy”.
Mobile Studios & Ease Of Recording Can Carry A Bit Of A Bad Reputation
There are complaints of mobile recording, the ease of recording, and the quality of music modern technology produces. More recordings means more noise. More music means less ears on the same music. More music can mean fewer hits.
The mobility of technology has made it so that anyone can produce a ‘hit’ for next to nothing.
Naturally, one would think that this would result in better music and more powerful hits. Now that there are hundreds of millions of songs being produced every year, is this any better than the limited output of decades past – that’s a question.
As imperfect as the sound capture may be at times when recording in a non-recording space, after undergoing editing in a DAW, all of the imperfections can be hidden amongst the swirling sound of professional music production. Anyone can arrive at a hit with very little effort, at least from a recording standpoint.
What Hits Have Been Produced By Mobile Recording & Portable Recording Setups?
Some of the world’s biggest-selling modern records are firmly rooted in contemporary tech and mobile recording, using iPhones, laptops, and mobile mixing and recording to produce.
Mobile recording has played a role in the formation of Beyonce’s “Lemonade” (2016), Jay-Z’s “4:44” (2017), The Weeknd’s “Starboy” (2016), Kendrick Lamar’s “Damn.” (2017), Katy Perry’s “Witness” (2017), and Lorde’s “Melodrama” (2017).
No matter what one’s opinion is of digital and mobile technology on music, it cannot be disputed that portable recording techniques and remote recording collaborations are now inseparable from today’s biggest artists.
As more major music studios face financial crises and are disappearing with each passing year, more mobile recording is being used than ever before, with almost every major label artist having some version of a recording studio in their own home or available to them through their smartphones, laptops, and associated tech.
These days, it is up to the artist to decide how they want mobile recording to impact the development of their own tracks.
For financial reasons, some artists may be dependent upon mobile recording to get them to where they need to be. Maybe that’s not such a bad thing. You can not only write your demo but be ready to record something that could be edited into a Billboard-ready #1 hit song.
Write A Song Anywhere, Record A Song Anywhere, & Make It A Hit
Today’s technology is firmly a part of modern music-making. The use of laptops, higher quality microphones, better algorithms, and more advanced software make it possible for an artist to record a hit in whatever environment they want.
Throughout the past few decades, different versions of a home music studio have been used to capture the hop and skip of a live jazz performance in a small club, folk singing in a small country home, and rap in a small bedroom.
Better mics, MIDI keyboards, and DAW laptops have permitted imperfect conditions to create some truly beautiful-sounding tracks, humanizing the recording process in a way that is not possible in a perfectly treated recording room.
Try it yourself. If you know how to engineer, a little bit about mic placement, and have a laptop able to capture the input, you can do anything.